Literature is

If you, the reader, have wondered, “Literature-what is it?” and would like a succinct answer, but still correct and scholarly, […]

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Literary genre

Literary genre is a historically and culturally established typology (not to be confused with “typification”) of works, carried out within […]

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Literary View

The literary kind is a group of typology (not to be confused with “typification”) in literary studies, which is performed […]

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About

Welcome to the pages of this blog! My name is Richard Squires and I am the author of this site. I hope you will feel comfortable here!

If you ask a simple and trivial question “Who is man’s best friend after all?”, everyone will have his own answer, whether it is a dog or something else. But in one thing we can agree for sure, if we agree that this friend does not make sounds, does not have arms and legs, and in general is not endowed with all the characteristics of any friend that each of us has. Such a friend is a book! In the Articles section you will find materials on general topics about literature, different trends, events, etc.

If you have any questions, feel free to contact me at this address: [email protected]

man with a book

History of Literature

The Girl with the Book

Women’s Place in Literature

Women’s Place in Literature

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Writers who burned their works

Writers who burned their works

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History of the Thriller Genre

History of the Thriller Genre

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The Image of Christ in Literature

The Image of Christ in Literature

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A Tour of Terry Pratchett’s Flat World

A Tour of Terry Pratchett’s Flat World

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History of the Anti-Dystopia Genre

History of the Anti-Dystopia Genre

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The beatnik movement in literature

The beatnik movement in literature

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Chasing the American Dream

Chasing the American Dream

Great Writers

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1

Stephen King

It is hardly an exaggeration to say that Stephen King is one of the best-known and most published writers today. […]

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2

Truman Capote

Beware of your wishes–they often come true. This phrase aptly characterizes the life journey of one of the brightest figures […]

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3

Life and Works of Thomas Eliot

Perhaps more than any other 20th-century figure except James Joyce, T. S. Eliot dominated the literary world during the war […]

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The subject of literary theory
The subject of scientific interest is a set of signs, features and properties of an object, making it complete and allowing it to be considered both in isolation from other objects and in connection with them. In other words, a subject is some selected properties of an object, a phenomenon that can be studied in isolation from other properties of the same object. Regarding the topic of this article, the problem is that the scientific community defines a number of subjects of the theory of literature, depending on the approach and system of ideas about the most relevant connections of both literature itself and its theory. Since this article is not an exhaustive or at least purported study, but only touches on the subject in general terms, hence it is called the foundations of literary theory, I will limit myself to three subjects with their incomplete exposition, choosing them as an illustration. So, the first approach – the substantial approach, in my opinion, is the closest to the essence of the object, because it selects as its main subject the features of this very essence of literature as a phenomenon.

The subject of the theory of literature in the contextual approach refers to the way(s) of constructing a literary work (its structure) and its substantive product. This approach touches upon the notions of the idea, the plot-fable, the theme, the artistic composition, the style of presentation, and the like. That is, what I have called the features of the essence of literature (but not the essence itself, of course);

The sociological approach to defining the subject matter of literary theory calls the latter features of the reflection of social reality in symbols-images. I can immediately name the omission of this approach in that literature does not always reflect reality. However, this approach emphasizes the image, the method of presentation, the worldview connection, even class, ethnicity, nationality, and the like;

The historical approach is understandable and is not as vulnerable to comment as the previous approach; this approach considers the subject of literary theory to be the production of literature as a holistic historical process. It is not difficult to understand that, in this case, there is as much, if not less, from literary criticism than from history as a science and a field of knowledge.

The literary studies component distinguishes patterns and features of structure in the historical process of creation of works, which is reflected in the typology by literary genera (see article), literary types (see article) and literary genres (see article), as well as directions and general principles.

An object is something that exists in objective reality, independent of anyone’s perception. And the fact that the object of study of literary studies in general and literary theory in particular is literature itself (as an objectively existing phenomenon of reality), I think, is already clear, without additional explanation, but I made it just in case.

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